Guide Les Goncourt à table (Espaces Littéraires) (French Edition)

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Contents:


  1. Joël Dicker a-t-il écrit une pâle resucée de Philip Roth?
  2. Décès de l'écrivain Robert Sabatier à l'âge de 88 ans
  3. In this Issue

In addition, theoretic readings will be discussed to examine problems such as the coherence and identity of literary texts, the role of the author, and the status of philology and literary criticism. The course will be in English, but students registering under the French course number will read French texts in their original language and conduct all written work in French.

This seminar will be conducted on two tracks. On the one hand, we will study major contributions to hermeneutic theory including positions that understand themselves as anti-hermeneutic. This is an introductory-level course. This course traces the history of the autobiographical genre in France from the eighteenth century to the present. The study of key texts will be accompanied by an introduction to some critical perspectives. We will give special emphasis to questions of reference and authenticity, identity and subject formation, and gender and the family.

This course includes close readings and discussions of major literary and dramatic works by twentieth-century authors e. Topics might include surrealism, absurdism, existentialism, gender and sexual identity, social upheaval, the post-modern condition, and the rise of cinema. Readings, discussions and papers in French. An introduction to some major nineteenth-century French literary works, this course emphasizes the main cultural debates of the period through some close readings and discussions. We study various literary genres from early Romanticism to the rise of Symbolism.

Classes conducted in French. This course examines works written by women from the Middle Ages to the present day. We will consider the freedoms and constraints that govern textual production in order to better understand how women fashion individual, authorial, and collective identities through writing. Introductory level, taught in French. In his treatise on education, Rousseau has to find a way out of a deep paradox inherent to the Enlightenment psychology: how could he account for the socialization of a human being with the conceptual resources of a solipsistic psychology?

Neither a coherent movement nor a precise style, La Nouvelle Vague was nonetheless a watershed moment in the history of modernism. With an examination of canonical and lesser-known films - early s , we will pursue our study from the standpoint of cinematic ontology and French cultural and political history. With an examination of canonical and lesser-known films, we will pursue our study of film from the standpoint of cinematic ontology and French cultural and political history.

Nous verrons comment le Journal de voyage de Montaigne constitue un document politique et culturel pour Montaigne. At least two years of French required for this course. This course is a study of the Early Modern vision of human passions, as reflected in literature. The course is in French and most required texts are in French.

Undergrads must be in their third or fourth year. Over the course of quarter we will read the conjoined text, each student focusing their reading through a critical optic of their choice e. Students will select and read ancillary texts to enrich their understanding of the Rose, and will collaborate with one another to chart a rich and diverse set of interpretive paths through this complex work.

Taught in English, with readings in French. While the nineteenth-century novel has a privileged relationship with history, twentieth-century literature is marked by a double movement of engagement with and detachment from contemporary events. This course will examine this evolution through the study of some key works from the nineteenth century to the present. Themes will include the representation and fictionalization of history, memory and quest, and the transformations of realism. Our approach to Flaubert will be sociological. Taught in English, with Flaubert readings in French.

Meets RLL French section grad theory requirement. History painting is the object of our course. In particular, the crisis which affected history painting in eighteen-century France: crisis of fable, crisis of narrative, crisis of pictorial verisimilitude. We focus on the genesis of history painting through the academic training and the artistic practice founded on imitation.

We consider material practices, theory of art, criticism, social and political involvements. This course explores the strategies adopted by French literary fiction in a cultural context that increasingly relegates the novel to the margins and privileges forms of non-fiction narrative.

Countering the pervasive discourse of literary crisis, we will examine the ways in which contemporary literature increasingly asserts its agency in the world by locating itself on the margins of fiction. We will also consider the extension of the literary domain beyond the boundaries of the book with the emergence of new digital forms.

Rolin, Salvayre, in conjunction with theoretical and critical readings Genette, J. Schaeffer, J. PQ: Reading knowledge of French required; advanced undergrads admitted with consent of instructor. Course conducted in English, with readings in French. From fables to bestiaries, in the margins of medieval manuscripts and at the center of animal narratives, animals abound in medieval literature. Transformations from human to animal form or vice versa , friendships between animals and humans, the anthropomorphization of animals, invite us to interrogate the relationship between animals and humans, and to put into question the boundary if indeed one can be defined between the two.

Taught in English with required discussion section in French for those seeking French credit. For Proust, literary style conveys the singularity of an individual vision while rescuing experience from the contingencies of time. Literature, identity, and memory are inseparable. How does memory serve as the foundation of individual or collective identities? How does fiction imagine and give form to memory, and how does literature serve as a medium for cultural memory?

How do literary works register the intermittence of memory, its failings and distortions, its fragility as well as its attachment to bodies and places? We will tackle these questions through close analysis of a range of texts. PQ: French reading knowledge desirable but not required.

The course may be counted toward the French major or minor; students taking the course for French credit will do appropriate readings in French and participate in a weekly French discussion section. What if I told you that the real was imaginary and the imaginary was real? This course will explore the concepts of the marvelous, the imaginary and the real through a selection of French literature from the middle ages to the 17th century.

The middle ages are often perceived as a rigid feudal society. Yet, fairies abound in stories, people shape-shift, and objects magically transform under our eyes. In the 16th century truth appears to harden through of advances in science, mathematics, and art. But even here there is the unexpected, the surprising je ne sais quoi and overwhelming ineffable. Through the literature of each era, we will see how reality often mixes with the marvelous, and everything is not always as it seems. The last volume of Foucault's history of sexuality has finally been published after more than a 30 year wait.

In this volume Foucault moves from his previous focus on Greco-Roman culture to early Christianity, and his account culminates in an extensive discussion of Saint Augustine. This seminar will consist of a close reading of "Les Aveux de la chair", supplemented by a few other texts from the later Foucault.

We will also try to draw some general methodological and philosophical conclusions from our reading. All students interested in enrolling in this course should send an application to wweaver uchicago. Applications should be no longer than one page and should include name, email address, phone number, and department or committee.

Applicants should briefly describe their background and explain their interest in, and their reasons for applying to, this course. PQ: Limited enrollment; students interested in taking for credit should attend first seminar before registering. Reading knowledge of French required. Consent Only. She understood the Revolution like no other. Steeped in the aristocratic tradition of the salons, she was at the same time a founder of French romanticism.

From her exile in Switzerland she was, with her lover Benjamin Constant, profoundly engaged in liberal thought. Her novels are about women and for women. Her writings introduce German culture into France. In this course we will read her novels and some of her important non-fiction writings. The second part of the course will be devoted to the topic of Judaism as a way of life, focusing on the writings of Joseph Soloveitchik.

The third part of the course will consider a number of historically and theoretically heterogeneous essays that take up different aspects of our theme. Consent only. Limited enrollment; students interested in taking for credit should attend first seminar before registering. Verlaine, Rimbaud, Apollinaire, and Char. Close reading, and focus on problems in translation. Students with French, of course, should read the poems in the original. Les deux individu et livre sont indissociables et occupant une place centrale dans le livre de Montaigne. Readings and discussions in French. Students with a major other than French can give a presentation in English and write their term paper in English.

At a time when liberal models are undergoing a crisis, in Europe and in America, this course seeks to explore an alternative genealogy for political modernity and its theoretical implications. This course also aims to bring to light a comparatively neglected aspect of the thought of Montaigne — his political thought and its complex relationship with later major political philosophies.

Our working hypothesis is that these different themes may be linked coherently if they are understood in terms of the contribution made by Montaigne to the construction of modern liberal thought, as it has developed from Hobbes to the present day. All readings in French; discussion in English. Montaigne constantly redefined the nature of his task, in order to fashion himself anew and, in the end, offered an impressionistic model of descriptions based on momentary experiences. Over the centuries, the reception of Montaigne has been anything but simple. The 21st century seems somewhat less interested in the writer Montaigne, but strives more than ever to find for him a place in the western philosophical canon.


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Thus, for the last two decades people all over the world have been asking: what is it that makes Montaigne a modern philosopher? In what way can the Essays be considered the first great text of modernity? In this sense, the 21st century is in the process of reinventing a new Montaigne. This Montaigne is inside us, he inhabits us.

We will attempt to define this Modern or Post-Modern Montaigne. What is the process by which some historical figures take on mythical proportions? This course examines four case studies of conquerors who attained sovereign power in times of war conquest, civil war, revolution , who had a foundational role in empire-building, and who consciously strove to link themselves to the divine and transcendent. Their immense but ambiguous legacies persist to this day.

Although each is distinct as a historical individual, taken together they merge to form a paradigm of the exceptional leader of epic proportions. Each models himself on exemplary predecessors: each invokes and reinvents myths of origin and projects himself as a model for the future. Taught in English with separate discussion session for students in French.

The New Wave. The Neo-Avant Garde. Rarely have these film and art movements been placed into an explicit historical or theoretical dialog or dialectic. It will be the task of this seminar to do just that. We will begin our study with a brief look into the pre-WWII situation of radical art and film movements, and classic theories of the avant-garde and neo-avant-garde. As we move toward and beyond the events of May , we will bring our study of social documentary, politically militant forms, collective film and art practices, and historiography to bear on purportedly stable understandings of the New Wave, its art historical forebearers, and its heirs.

Reading knowledge of French is required. While some of our texts will appear in English translation, many will not. The seminar will be conducted in English, but the last thirty minutes of each session will be conducted in French. Screenings are mandatory. With some possible exceptions, films will be subtitled. PQ: Reading knowledge of French is required. This course will examine the history and achievements of the Paris-based literary collective Oulipo, Workshop for Potential Literature , from its founding as a secret society in to its expansion into an internationally visible group.

We will consider the group's relationship to and reaction against earlier and contemporary avant-garde movements, the French new novel, and structuralism, and we will also examine the reception of Oulipian writing outside France. Readings will include collective publications by the group as well as works by Queneau, Perec, Roubaud, Calvino, Mathews, Grangaud, and others.

Students seeking French credit must do the readings where applicable and writing in French. The French Revolution is one of the defining moments of modern world history. The course will explore the mix of social, political and cultural factors which caused its outbreak in and go on to consider the overthrow of the Bourbon monarchy in , the drift towards state-driven Terror in and the ensuing failure to achieve political stability down to the advent of Napoleon Bonaparte in Paris shaped the Revolution in many ways, but the Revolution also reshaped Paris.

The urbane city of European enlightenment acquired new identities as democratic hub from and as site of popular democracy after In addition, the Revolution also generated new ways of thinking about urban living and remodelling the city for the modern age. A wide range of primary sources will be used including visual sources notably paintings, political cartoons and caricatures and maps. As well as focussing on architecture and the built environment, we will examine the political, social, and especially cultural history of the city.

A particular feature of the course will be representations of the city—literary Victor Hugo, Baudelaire, Zola, etc. We will also examine the city's own view of itself through the prism of successive world fairs expositions universelles. Blaise Pascal in the seventeenth century and Simone Weil in the twentieth formulated a compelling vision of the human condition torn between greatness and misery. They showed how human imperfection coexists with the noblest callings, how attention struggles with distraction and how individuals can be rescued from their usual reliance on public opinion and customary beliefs.

Both thinkers point to the religious dimension of human experience and suggest unorthodox ways of approaching it. We will also study an important text by Gabriel Marcel emphasizing human coexistence and cooperation. PQ: Undergraduates must be in their third or fourth year. For French undergraduates and graduates, we will hold a bi-weekly one-hour meeting to study the original French texts. Particular attention will be paid to critical paradigms and approaches in the evolving fields of classical reception studies, theater and performance studies, and gender studies.

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Joël Dicker a-t-il écrit une pâle resucée de Philip Roth?

PQ: Reading knowledge of French strongly preferred. Texts may be read in the original or in English translation. Nous nous concentrerons sur le dit narratif et les textes hybrides. We will also read older critical interpretations Mauron, Sartre, H. Finally, we will read him in conjunction with some other, more or less overtly philosophical texts Heidegger, Badiou, Nietzsche, Meschonnic, e. Reading knowledge of French is required, though the course will be conducted in English.

Nous aborderons Rabelais dans le cadre politique de la Renaissance. Nous lirons deux romans de Rabelais: Gargantua et Pantagruel. This seminar has two goals. One is to combine the text-based tradition of French literary studies with the image-based, comparative tradition of art history—and, in so doing, to change the taxonomies of both. The other is to re-evaluate French Classicism by attending to practices of reading, writing, performing, looking and making. Looking will be no less important than reading, as we will conduct sessions with original objects in the Art Institute and in Regenstein Special Collections.

The seminar will be conducted in English; all primary texts will be made available in both English translation and, for those with reading knowledge, in the French original. This seminar will travel to Paris during exam week March , ; airfare and lodging covered by university. Consent of instructors required. For this course, we will read major texts by Freud and Lacan. We will also read excerpts from a variety of texts that use the writings of Freud and Lacan for theoretical purposes: Derrida, Sarah Kristeva, Irigaray, Zizek and others.

Students seeking French credit will read Lacan texts in the original, and the theoretical texts in French as well. Over the last two decades, questions of race, racial identity, and racial discrimination have come increasingly to the fore in France, despite or because of the country's prevailing rhetoric of colorblind indivisibility. These issues are becoming ever more pressing on a background of intensifying racisms and right-wing populisms in Europe. The purpose of this course is to offer analytical perspectives about these critical tensions and their ripples across the landscape of contemporary French politics.

Using readings from a wide variety of fields among others, anthropology, sociology, literature, philosophy, history, political science, and news media , we will unpack the discourses and lived experiences of race that have shaped the politics of national identity and difference in France since the late 18th century. We will see that the question of 'racial France' has been intimately bound up with the country's history of colonialism and decolonization, with its Republican ideology, with matters of law and government, with questions of citizenship, religion and sexuality, with recent debates on multiculturalism, and with white malaise and resentment stirred by the growth of right-wing extremisms.

Le roman au 19e siècle : le réalisme romantique - Français - Seconde - Les Bons Profs

In the course of our examinations, we will also reflect on the specificity of race and racialization in France, and its differences from racecraft in the United States. We will consider the roots from Euripides to Corneille of his theatrical practice as well as its immense influence on future writers from Voltaire to Proust, Beckett and Genet. PQ: At least one French literature course or higher. This course is a study of directed readings in special topics not covered by courses offered as part of the program in French. Subjects treated and work completed for the course must be chosen in consultation with the instructor no later than the end of the preceding quarter.

PQ: French or , depending upon the requirements of the program for which credit is sought. This course involves directed readings in special topics not covered by courses offered as part of the program in French. Subjects treated and work to be completed for this course must be chosen in consultation with the instructor no later than the end of the preceding quarter.

This course will examine the influence and continuation in twentieth-century French literature of the great realist enterprise of the previous century. Beginning with the crisis of naturalism in the late nineteenth century, we will consider the inflections given to literary representation by historical cataclysm, the avant-garde critique of the novel, and the postwar "age of suspicion. Finally, we will evaluate the phenomenon of the "return to the real" in contemporary French literature. PQ: advanced undergraduates admitted with consent of instructor.

Readings in French, discussion in French or English. Papers in French or English according to field of study. This course will examine some of the salient texts of postmodernism. Part of the question of the course will be the status and meaning of "post"-modern, post-structuralist. The course requires active and informed participation. PQ: Taught in English. Since the late-eighteenth century, French writers have relied on the brevity and evocative powers of the short story to inform, shock, and impassion their readers with the realities of slavery, colonialism, and racial violence in the Atlantic World.

Soon enough, however, the subjects of these lived experiences took the pen to write their own short stories, thus cannibalizing the genre in order to fit the necessities of their own cultural settings and political agendas. In this course, we will trace the evolution of the short story as it traveled along the shores, around the themes, and across the traditions of the Francophone Black Atlantic. We will explore the ways in which writers from France, the Caribbean, and West Africa have dialogued with one another to further hybridize a literary genre often defined by its very indefinability.

Class discussions will be in English. All texts will be available in both French and English. This course studies manuscripts, printed books, and printed images produced in fifteenth- and sixteenth-century France that combine text and image, particularly those that do so in unusual, innovative, or provocative ways.

We will consider problems of interpretation, "illustration," friction and gaps between text and image, and the uses of print vs. Types of objects studied include emblem books, books of hours, scientific books, mythological and romance literature, captioned prints and print albums, and ceremonial books made to document events. We will visit several local collections n. Basic reading knowledge of French required. In this research-intensive graduate seminar, students will engage with a range of methods, questions, and approaches to conducting archival research in filmic, paper and print, and internet databases, and in both American and foreign contexts.

While some class content will unfold around archival materials related to French film and art practice between , and to the discursive transformations around concepts of materiality and visual aesthetics therein, we will also explore a range of texts on archival methodology; selected texts on archival theory; and case-studies foregrounding modes of archival discovery, evaluation, and interpretation.

To be considered for this seminar, interested students should thus submit a short paragraph research proposal prior to registration. Proposals do not have to focus on French or Francophone topics, nor do they have to be fully developed. They must, however, propose a set of coherent and exploratory, if tentative, questions or propositions that the student will explore through intensive archival research.

Proposals should be sent to jenniferwild uchicago. This seminar will examine how twentieth-century filmmakers and artists have deployed form and formal experiment to engage not simply politics, but the visual, discursive, and material field of political life and experience. Consequently, our study will advance a discussion about the dialectical relationship between "form" and "aesthetics," while we will also interrogate the evolution of "politcial subjectivity" and its modes of being and expression in twentieth-century film, art, and life.

Additionally, this seminar is designed to coincide with and compliment the yearlong project "Concrete Happenings" in the Department of Art History, and the associated symposium on "Fluxus and Film" that will take place in the spring term. We will study major philosophers Montesquieu, Rousseau, Voltaire, Diderot and examine their influence on contemporary controversies on Democracy, Justice, Civilisation, Europe and Empire.

For those enrolled in this course as a French course, there will be a weekly discussion session in French. This course surveys the history and aesthetics of French avant-garde groups and tendencies in the twentieth century, from Dada and surrealism to the Nouveau Roman and Oulipo. While our focus will be on literary texts, we will also consider theoretical perspectives on the avant-garde and explore connections and contacts between literature and the other arts.

In this course we will be looking at the medieval Mediterranean world from the perspective of French literature of the 12th and 13th centuries. In direct contrast to an understanding of the Middle Ages as a time of cultural isolation and homogeneity, we will be considering some of the many points of contact between medieval France and other Mediterranean geographies, cultures, and peoples.

Décès de l'écrivain Robert Sabatier à l'âge de 88 ans

The emphasis will be on texts that present these trans-Mediterranean relationships in complex and varied ways. Texts will be selected from a variety of genres, including poetry, epic, and romance, and we will also look at medieval art and art objects. Course is taught in French. All of the Old French texts will be available in modern French translations. This course will explore the expression of Terror la terreur as it was thematized in French texts of the nineteenth century.

In reaction to the fast won freedom of the an extremist group headed by Robespierre came to power and through its terroristic practices threatened the democratic values of the Revolution itself. We will examine some key moments during the period of the French Revolution and their impact on the collective memory of French novelists. Particular attention will be paid to the narrative construction of the historical moment known as the Terror; the development of the historical novel, the relationship between history and fiction.

This seminar will involve intensive readings in selected 16thth c. Readings will be done in French, Italian, Latin, and English where available. We will make frequent reference to images, secondary literature, and ancient texts. Paper topics may be drawn from students' own fields. Qualified undergraduates may be admitted. We will see how the expansion of commerce in the sixteenth century produces a new form of travel literature, an object for imagination where the Other in reality or in fiction helps to reflect on the cultural and moral values of Europe.

Most readings in French. Papers in French for French grad students and in English for others. Advanced undergraduates accepted with consent of instructor. Est-ce que la dissimulation va toujours de paire avec la civilisation? How does this astounding assemblage of architecture, visual arts, landscaping, performance spaces and political arenas reveal transformations in cultural tastes and power arrangements over the centuries? How do literature and art alternately support and subvert absolutist power and state propaganda?

While this course will broadly introduce major themes of French and European culture and history of the early-modern and modern periods, students are also encouraged to pursue in-depth projects in their own areas of interest, from history and political philosophy to the visual arts, theater and performance, and literature. We will be particularly attentive to Victor Hugo's role as an observer of nineteenth-century French society as well as an actor in the political life of his times. All classes and texts in French; presentations preferred in French, but English will be acceptable depending on the concentration.

Written work in French or English. From the early modern narrative genres to the great nineteenth-century novels, we will look at the ways in which story-telling emphasizes human greatness or makes fun of human imperfection. Idealism and realism alternate, rival with each other, and sometimes even manage to cooperate. For the older period we will read short excerpts from An Ethiopian Story, Amadis de Gaula, and Diana by Montemayor, as well as a couple of novellas by Boccaccio and Cervantes.

Skip to main content. Academic Year - Any - Literatures or Languages - Any - Language Literature. The translation of the novel into English was published in by New Directions. Synopsis The novel details the trip that Michelangelo could have made in May in Constantinople at the request of Sultan Bajazet who invited him to abandon the work of the tomb of Pope Julius II in order to instead design a bridge on the Golden Horn, an arm of the sea that separates the Istanbul from the district of Pera, on the Bosphorus.

Raised by his uncle, he initially pursued studies in Bamako, Mali. From to , when his country was still under French colonial control, he participated in French military campaigns in Indochina, after which he journeyed to France to study mathematics in Lyon. Determined to speak out against the betrayal of legitimate African aspirations at the dawn of independence, Kourouma was drawn into an experiment in fiction. His first novel, Le. Anne Wiazemsky 14 May — 5 October [1] was a French actress and novelist. She and Godard were married from to Along with the Prix Goncourt, it is one of the oldest and most prestigious literary awards in France.

Eduardo Manet born 19 June is a Cuban-born novelist and playwright writing in French. His work has been translated into over 20 languages. After Fidel Castro supported the Soviet invasion of Czechoslovakia in , Manet returned to Paris, where he has lived subsequently. Rhapsodie cubaine: roman, D'amour et d'exil: roman, La sagesse du singe: roman, References Zatlin, Phyllis Interview with Eduardo Man. For Voyage au pays du coton he received the second prize of the Lettre Ulysses Award in The Prix Renaudot, while not officially related to the Prix Goncourt, is a kind of complement to it, announcing its laureate at the same time and place as the Prix Goncourt, namely on the first Tuesday of November at the Drouant restaurant in Paris.

The Renaudot jurors always pick an alternative laureate in case their first choice is awarded the Prix Goncourt.

In this Issue

David Foenkinos born 28 October is a French author and screenwriter. He studied literature and music in Paris. He was also a columnist in Paris Match. Biography In his youth,[1] Delacourt was an intern at the Jesuit College "La Providence" in Amiens the same college that current French president Emmanuel Macron attended 17 years later.

It was following his dismissal from his previous company that he decided to found his own agency. This article is a general introduction to French literature. For detailed information on French literature in specific historic periods, see the separate historical articles in the template to the right. After a one-year stay in Paris in , he returned there in to study literature. A pensioner at the French Academy in Rome in , he now lives and works in Paris. In Algeria he became "the most talented writer of his generation", embarking on an ambitious literary work on Algeria, its history, from colonization to the most recent black episodes, marked by Islamist terrorism.

His first two novels are part of a novel cycle developed from an imaginary city, the ancient Cyrtha. The Prix des libraires Booksellers award is a French literary award that is given to the author of a novel written in French. Approximately booksellers from France, Belgium, Switzerland and Canada cast a vote. His novel Alabama song won the Prix Goncourt in She works today in Paris, where she has lived since Life Kaouther Adimi was born in Alger, Algeria, in From the age of 4 to the age of 8, she lived with her family in Grenoble, France.

It's during this period that she discovered the pleasure of reading, by going to the public library every week with her dad [1] In , she returned to Algeria, which was then under the influence of terrorism. Having very few opportunities to read, she started to write her own stories. The short story she submitted held the attention of the jury whom published it in a collection alongside the other laureates' productions. This is a list of awards that are named after people.

In , the courses moved to prefabricated buildings and temporary installations. It is built to resemble a bird spreading its wings. There is a residential tower inside. It is a ge. Yann Apperry topic Yann Apperry born is a French novelist, librettist, screenwriter, and translator. After graduating from secondary school in Beijing, she moved to Paris in August thanks to a grant by the Fre Folders related to Shan Sa: 21st-century Chinese novelists Revolvy Brain revolvybrain 20th-century Chinese novelists Revolvy Brain revolvybrain 20th-century Chinese women writers Revolvy Brain revolvybrain.

Luc Lang topic Luc Lang, October When the body of year-old Nola Kellergan is found 33 years after she went missing and Quebert is accused of her murder, Marcus works to uncover Folders related to The Truth About the Harry Quebert Affair: Swiss novels Revolvy Brain revolvybrain French-language novels Revolvy Brain revolvybrain novels Revolvy Brain revolvybrain. Career Because French was a language acquired at school and university, Huston found that the combination of her eventual command of the language and her distance from it as a non-native s Folders related to Nancy Huston: Canadian women non-fiction writers Revolvy Brain revolvybrain Exophonic writers Revolvy Brain revolvybrain 21st-century Canadian writers Revolvy Brain revolvybrain.

Alice Zeniter topic Alice Zeniter born is a French novelist, translator, scriptwriter, dramatist and director. His first novel, Le Folders related to Ahmadou Kourouma: 21st-century novelists Revolvy Brain revolvybrain 20th-century novelists Revolvy Brain revolvybrain 20th-century dramatists and playwrights Revolvy Brain revolvybrain. French literature topic This article is a general introduction to French literature. Prix des libraires topic The Prix des libraires Booksellers award is a French literary award that is given to the author of a novel written in French.

List of awards named after people topic This is a list of awards that are named after people. Revolvy Site Map. Erik Orsenna. Also prix Goncourt. Jean Vautrin. Actes Sud. Pierre Combescot. Eduardo Manet. Anne Wiazemsky. Claude Pujade-Renaud. Mercure de France. Nancy Huston. Also prix du Livre Inter. Jean-Pierre Milovanoff. Luc Lang. Jean-Marie Laclavetine.

Ahmadou Kourouma. Also prix Renaudot. Shan Sa. La Joueuse de go. Also prix des libraires. Yann Apperry. Philippe Grimbert. Sylvie Germain. Albin Michel. Philippe Claudel. Brodeck's Report. Catherine Cusset. Jean-Michel Guenassia. Carole Martinez.