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  1. The detail
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  3. Fake or Fortune? Northumbria decides
  4. Fake or Fortune? | Netflix

The third series features four episodes. The first episode was first shown on 27 December , on Sweden's SVT, with episodes 2 and 3 shown in the following weeks. Charles Henty seeks to validate the provenance of two inherited paintings, one by Alfred Munnings and one, putatively by Winston Churchill , discovered in a coal hole of a house in Ebury Street. Philip Mould visits David Coombs, a leading expert on the art of Churchill, who is unconvinced by the painting on account of the unfamiliarly well painted figures.

He is particularly concerned by the colouring which, he feels, is tonally dissimilar to Churchill's accepted oeuvre. They are introduced to Joy Lutenbacher, who recalls that her aunt, Joan Smith, witnessed Churchill paint the fountain and provides a signed photo of Churchill given to her aunt, dated October Bendor Grosvenor also finds supporting evidence in a newsreel. Filming for the fifth series started on 24 November The sixth series started on 20 August The team investigate two possible works by Paul Gauguin which have been brought to their attention.

It had been bought by the viewer's art historian grandfather, but its authenticity was in doubt because it appeared to be a copy of a sketch in Gauguin's notebook.

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The team establish provenance that takes it back to Gauguin and show that it had been cut from the sketchbook sometime between and It is accepted as genuine by the Wildenstein Institute. Willy Lott's Cottage by John Constable. The seventh series consists of five episodes and started on 12 August The team investigates two rare portraits of black British subjects from the 18th and 19th centuries, pictures which are highly unusual in their positive depiction of black sitters at a time when Britain was still heavily engaged in slavery.

The first case is a double portrait featuring Dido Belle , a former slave who became a member of the aristocratic Mansfield family, and her cousin Lady Elizabeth. The painting is on display at Scone Palace in Scotland and was commissioned by the first Lord Mansfield , Dido Belle's guardian, sometime in the late s or early s.

The abolitionist Mansfield, a judge, had ruled in the infamous case of the Zong massacre. The painting's original attribution, to Johan Zoffany , is considered wrong, but the identity of the actual artist is unclear.

The second painting, even more unusual, is of two beautifully-dressed black girls holding a book in what appears to be a tropical landscape. Early clues suggest this could be a political painting, perhaps connected to the campaign to abolish slavery in British colonies. The signature was not legible. Answering the programme's call for works of art other than paintings, Philip and Fiona investigate what appears to be a plaster sculpture of Alberto Giacometti 's early work Tete qui regarde or Gazing Head.

Philip visits the Sainsbury Centre for Visual Arts at the University of East Anglia, where he learns more about how the cast would have been produced. The investigation leads Fiona to France where the current owner's grandmother modelled at the same time and place where Giacometti worked.

Without a clear trail of evidence linking the piece to the sculptor, however, the team changes its approach, and discovers that one of the genuine Gazing Head plasters is considered lost by its British owner, the estate of S. Woods , suggesting that it might be possible the piece was purchased from Woods rather than in Paris. Episode 4 are 28 day figures from the new system.

Episode 5 are 7 day figures from the old system. In March the BBC confirmed that an eighth series is in production and is scheduled to be screened later in the year.

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Describing the outcome of the first episode of series one as a "scandal", Sam Wollaston writing for The Guardian found the programme "incredibly interesting" and praised it "for being about just one case in which you can become totally involved, instead of flitting between three, which is what so many documentaries seem to do".

But I couldn't entirely shift the suspicion that some of it was just a little too good to be true. The first programme of the third series, shown in the UK on 19 January , had 4. The record audience for the series was on 12 July with a peak attendance of 5. Reviewing an episode of the seventh season, Michael Hogan of The Telegraph wrote: "Arts programming is an increasingly endangered beast on prime time television. This absorbing and enjoyable series flies the flag in quietly thrilling fashion.

From Wikipedia, the free encyclopedia. This section may require cleanup to meet Wikipedia's quality standards. The specific problem is: summaries vary widely in length and quality, see talk Please help improve this section if you can. September Learn how and when to remove this template message.

Rejected by Tom Roberts. This section needs to be updated. In particular: reviews and coverage of later series. Please update this article to reflect recent events or newly available information. August The examples and perspective in this section may not represent a worldwide view of the subject.


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You may improve this section , discuss the issue on the talk page , or create a new article , as appropriate. August Learn how and when to remove this template message. Retrieved 23 February The Times. Retrieved 26 August Retrieved 4 September Antiques Trade Gazette. Retrieved 12 October Retrieved 19 April BBC Online.

Retrieved 4 August The Courtauld Institute of Art. Art History News. Retrieved 21 August Series 1. Episode 1.

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BBC One, review". The Telegraph. The Arts Desk. Retrieved 27 March Retrieved 7 May Episode 2. Episode 3. Episode 4. Series 2. Retrieved 19 September Archived from the original on 26 February Retrieved 5 October The Daily Telegraph. Archived from the original on 30 December As we've not finished the 4th prog - stranger still".

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Fake or Fortune? Northumbria decides

Retrieved 26 January Huffington Post. Retrieved 24 January Radio Times. Archived from the original on 31 December Retrieved 30 December Fake or Fortune. Series 3. The Guardian. Retrieved 5 July Retrieved 15 April Retrieved 31 March Day 1 of prog 2, series 5 - due out this summer. Everything to play for FakeorFortune". Series 6. BBC Television. Retrieved 20 August Next week's fakeorfortune Giacometti is postponed pending further investigations. TX date to be announced. Repeat instead" Tweet — via Twitter. Retrieved 13 August Series 7. Retrieved 18 August Retrieved 28 September A year on, we are now showing it.

Fake or Fortune? | Netflix

Oh, and it is our first three dimensional work of art in 27 programmes. Retrieved 21 March Retrieved 25 August The Independent.


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Retrieved 17 June Yet when Mould, then a fledgling dealer, owned the painting on two separate occasions in the s, he could find no one prepared to authenticate it. Experts are acutely cautious of potential Constables, as the artist was the most prolifically forged of the 19th Century. A nalysis of the work in question revealed a crude painting-over of the original bucolic Suffolk scene - later removed - which may have deterred the scholars Mould consulted in the 90s. H owever, new forensic techniques and two corroborating sketches of the same river-side cottage have now convinced experts to allow the painting into the official Constable cannon.

D espite missing out on the colossal sum, Mould was magnanimous. The painting is believed to have been composed around , just before the Hay Wain, which was finished in We urge you to turn off your ad blocker for The Telegraph website so that you can continue to access our quality content in the future.